Kinsman Robinson Gallery LED Lighting

Art Galleries and Museums

Art Gallery & Museum Lighting Solutions

The Right Light

The Intersection of Conservation and Aesthetics

At Lumicrest, we understand that gallery lighting is a precision science. It requires a delicate balance between revealing the true depth of an artist’s work and ensuring the long-term preservation of the medium. Our museum-grade LED systems are engineered to provide the highest colour fidelity while maintaining the strict spectral standards required by world-class institutions.

Trusted by Quality Professionals

Why Both Artists and Institutions Choose Lumicrest

  • 95+ CRI Fidelity: Our High CRI museum-grade lighting products utilize advanced phosphors to achieve a Colour Rendering Index of 95 and higher, ensuring that “what the artist saw” is exactly what the viewer sees.
  • Zero UV / Minimal IR: We eliminate the primary causes of light-induced damage. Our LEDs emit no ultraviolet and minimal IR radiation, protecting sensitive oil paintings, textiles, and artifacts from fading and heat degradation.
  • Solari™ Full Spectrum Sun-like Technology: By mimicking the natural solar spectrum and minimizing the “blue spike”, our linear lighting and Solari Easel art studio lighting bridges the gap between artificial light and daylight, offering a more natural, accurate and emotionally resonant viewing experience.
Client Showcase

Trusted by Canada’s Leading Cultural Institutions

We are proud to have provided lighting solutions and technical expertise for some of the most prestigious creative spaces in the country:

Learn More About Our Products

Precision Systems for Every Exhibition

Apturi III Track Lights
Best for: Main Gallery Artwork

Beam-adjustable lenses (10°–60°) with onboard self-dimming, self-dimming frame adjustable or standard MLV/ELV .

Modulux Track Lights
Best for: Sculptures & Directional

Modular articulating heads designed for nuanced highlighting of 3D forms and smaller works.

Showcase & Vitrine Lights
Best for: Vitrines & Display Cases

Ultra-slim 12V 95 CRI systems that provide powerful light in tight spaces without heat transfer.

Solari LED Systems
Best for: Architectural, Display & Studio

Unique combination of high output and ultimate colour fidelity, for both display applications and artwork studio creations

Coming Soon…
Lumicrest LED Lighting

Our veteran lighting expert David covers the details of our Apturi III track light.

Consult with a Gallery and Museum Specialist

We don’t just sell fixtures; we solve lighting challenges at every level. Whether you are planning a new permanent gallery or a temporary traveling exhibition, our team provides:

  • Beam Spread & Light Level Calculations
  • Spectral Plot Analysis for conservation requirements
  • Custom 3D-Printed Solutions for unique architectural constraints

Get your expert guidance for the perfect lighting plan:


We’re here to help with all your product, lighting design and pricing questions. Call toll-free at 1.877.910.1011


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Need more information? Have a question? Looking for something you don’t see?
We’re here to help. Our lighting experts are here to assist you with your lighting needs. Give us a call, or fill out the contact form and we will respond to you as soon as possible!

Reach us by phone at 416-479-0132, or toll-free at 1-877-910-1011
Need to send a fax? The number is 416-479-0058

Experience True Colours with High CRI Lighting

CRI is a measure of how complete the colour spectrum is in a beam of white light, and how well colours will be represented when illuminated by that light. The higher the number the better.

LED lights typically found in big box stores will have a CRI of around 80 or even less. These would be wholly unsuitable for critical applications.

A CRI above 90 is considered the minimum for use in an application where accurate colour rendering is a must, such as in art galleries, museums or retail apparel displays.

So if it’s important to you that all the colours in your art, furniture, retail displays etc. be vibrant and fully visible, then you want the highest CRI you can get Continue reading

Apturi III: All lights in the Apturi famly are Beam-adjustable you can adjust them at anytime from a 10° spotlight to 60° wall floodlight. No more changing lenses, Apturi has them all in one.

If you only want one lens beam angle such as with Modulux, see below:

Selecting the most appropriate lens beam angle can sometimes be confusing. When to choose a wide beam lens and when to choose a narrow beam lens? The video helps you understand the differences and make the best choice.

What lens angle should I choose? This handy Beam Angle Calculator helps you determine the effect of different beam angles and different positions for your light fixtures.

Want to change the lens angle on a Lumicrest LED light? Watch this short video on how to swap the lenses on Lumicrest LED lights.

Still not sure? Contact us at 416.479.0132 or through our contact form and let us know what you’re trying to achieve. We’re glad to help!

The “colour temperature” of any white light indicates the shade of white.

“Warm white” generally means a yellow-ish type of white, and “cool white” means a blue-ish kind of white. Somewhere in between lies “daylight white”, which is pretty much the whitest kind of white. Cool, warm and daylight are pretty imprecise terms though. A more accurate system indicating the tint of the light is called the colour temperature, or Correlated Colour Temperature (CCT).

A standard incandescent lightbulb is rather yellowish at about 2,700K and a normal halogen is slightly “cooler/whiter” in color, about 3,000K.

For interior lighting in homes, especially in the Western world we have grown accustomed to incandescent and halogen lighting, so we have a comfort with the “warm” colours they produce.

In more industrial settings, and for higher intensity lighting ie. “high bay” lighting, higher color temperatures of 4,500 to 5,000K are accepted. Metal Halide lights (HID) have traditionally been employed for this application, but of course LEDs are now available to do this job more efficiently.

Some specialty applications such as jewelery case lighting often use “cool” bluish lights of 6,500K or higher, in order to accentuate the sparkle and clarity of diamonds, silver and jewels.

Integrated Track Heads are mainly 3000K (as it’s the most popular CCT).

2700K is similar to the color of a regular incandescent or halogen light, which looks a little yellow or “warm”. 3000K is a little bit more white, but is still in the “warm” range. 4000K is approaching sunlight colour temperatures, but still a bit on the warm side. Continue reading