Projects

Trusted by Leading Cultural Institutions

Art Galleries & Museums

Lumicrest products have been installed in over 130 art galleries and museums across North America, including the ROM, AGO and MOCA, as well as many fine restaurants, hotels and retailers since 2008. Below are just a few examples of projects we’ve done.

Saints, Sinners, Lovers, and Fools: 300 years of Flemish Masterworks. Courtesy of Phoebus Foundation and Royal Ontario Museum. Photo by Paul Eekhoff © ROM.

Client Showcase

Our Latest Featured Projects

Royal Ontario Museum, Toronto

“Lumicrest’s Apturi3 lighting system has transformed our approach to gallery lighting for short-term exhibitions. Its versatility makes it much quicker and easier for our staff to set up and adjust, eliminating the need to swap fixtures, lenses, or bulbs...”

– Bill Hodgkinson, Manager of Preparators, Royal Ontario Museum

Kent Monkman Studio, Toronto

“Our studio can now double as an exhibition space, thanks to our new Apturi III gallery track lighting from Lumicrest. The colours of the works look more vibrant and accurate, and we love the versatility of their adjustable beam angles. David, the Lumicrest team, and their electricians, are always a pleasure to work with.”

– Adrien Sun Hall, Director, Exhibitions and Projects

Kinsman Robinson Gallery, Toronto

“What makes this show better than the last one? It’s not more artwork. It’s not better quality art. It’s the ability to light it up.”

– John Newman, Associate Director, Kinsman Robinson Galleries

Lumicrest LED Lighting

Our veteran lighting expert David covers the details of our Apturi III track light.

Consult with a Gallery and Museum Specialist

We don’t just sell fixtures; we solve lighting challenges at every level. Whether you are planning a new permanent gallery or a temporary traveling exhibition, our team provides:

  • Beam Spread & Light Level Calculations
  • Spectral Plot Analysis for conservation requirements
  • Custom 3D-Printed Solutions for unique architectural constraints

Get your expert guidance for the perfect lighting plan:

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Need more information? Have a question? Looking for something you don’t see?
We’re here to help. Our lighting experts are here to assist you with your lighting needs. Give us a call, or fill out the contact form and we will respond to you as soon as possible!

Reach us by phone at 416-479-0132, or toll-free at 1-877-910-1011
Need to send a fax? The number is 416-479-0058

Experience True Colours with High CRI Lighting

CRI is a measure of how complete the colour spectrum is in a beam of white light, and how well colours will be represented when illuminated by that light. The higher the number the better.

LED lights typically found in big box stores will have a CRI of around 80 or even less. These would be wholly unsuitable for critical applications.

A CRI above 90 is considered the minimum for use in an application where accurate colour rendering is a must, such as in art galleries, museums or retail apparel displays.

So if it’s important to you that all the colours in your art, furniture, retail displays etc. be vibrant and fully visible, then you want the highest CRI you can get Continue reading

Apturi III: All lights in the Apturi famly are Beam-adjustable you can adjust them at anytime from a 10° spotlight to 60° wall floodlight. No more changing lenses, Apturi has them all in one.

If you only want one lens beam angle such as with Modulux, see below:

Selecting the most appropriate lens beam angle can sometimes be confusing. When to choose a wide beam lens and when to choose a narrow beam lens? The video helps you understand the differences and make the best choice.

What lens angle should I choose? This handy Beam Angle Calculator helps you determine the effect of different beam angles and different positions for your light fixtures.

Want to change the lens angle on a Lumicrest LED light? Watch this short video on how to swap the lenses on Lumicrest LED lights.

Still not sure? Contact us at 416.479.0132 or through our contact form and let us know what you’re trying to achieve. We’re glad to help!

The “colour temperature” of any white light indicates the shade of white.

“Warm white” generally means a yellow-ish type of white, and “cool white” means a blue-ish kind of white. Somewhere in between lies “daylight white”, which is pretty much the whitest kind of white. Cool, warm and daylight are pretty imprecise terms though. A more accurate system indicating the tint of the light is called the colour temperature, or Correlated Colour Temperature (CCT).

A standard incandescent lightbulb is rather yellowish at about 2,700K and a normal halogen is slightly “cooler/whiter” in color, about 3,000K.

For interior lighting in homes, especially in the Western world we have grown accustomed to incandescent and halogen lighting, so we have a comfort with the “warm” colours they produce.

In more industrial settings, and for higher intensity lighting ie. “high bay” lighting, higher color temperatures of 4,500 to 5,000K are accepted. Metal Halide lights (HID) have traditionally been employed for this application, but of course LEDs are now available to do this job more efficiently.

Some specialty applications such as jewelery case lighting often use “cool” bluish lights of 6,500K or higher, in order to accentuate the sparkle and clarity of diamonds, silver and jewels.

Integrated Track Heads are mainly 3000K (as it’s the most popular CCT).

2700K is similar to the color of a regular incandescent or halogen light, which looks a little yellow or “warm”. 3000K is a little bit more white, but is still in the “warm” range. 4000K is approaching sunlight colour temperatures, but still a bit on the warm side. Continue reading